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完结+彩蛋
陈飞宇,张婧仪,赵志伟,曾可妮,崔雨鑫,钱迪迪,姜梓新,马可
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已完结
刘琳,于震,原华,王丽坤,王千源,施京明,高露,淳于珊珊
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HD
李秉宪,崔岷植,金诗云,千虎珍,李浚赫,南宝拉,吴山荷,尹彩英,金甲洙,崔武成,严泰九,尹胜雅,崔镇浩,荷承里,金英善,郑智允,金彩妍
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34集全
郭晋安,林文龙,袁伟豪,周柏豪 ,潘志文,周励淇,杨茜尧,钟嘉欣,林嘉华,胡枫,杨潮凯,汤洛雯,邓佩仪,张达伦,陈自瑶
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50集全
林心如,袁弘,王媛可,于波,宗峰岩,关智斌,王雨,李佳航,茅子俊,热依扎,秦俊杰,戴君竹,洪小铃,孙骁骁,戚薇,马天宇,任泉
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已完结
刘雪华,张佩华,金铭,归亚蕾,刘子蔚,马景涛
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已完结
古天乐,梁小冰,徐锦江,谭耀文,钱小豪,罗莽,郑则仕,傅明宪,潘志文,张国强
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完结
尹天照,杨恭如,万绮雯,陈启泰,杜汶泽,吴廷烨,张国权,黄树棠,张文慈,梁碧芝
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全44集
成毅,张予曦,韩栋,宣璐,何晟铭,姚奕辰,何中华,习雪,谷雪儿,李俊逸,傅方俊,杨肸子,徐思雨,韩承羽,白澍
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更新至09集
薛家燕,梁荣忠,钟嘉欣,元华,王祖蓝,刘玉翠,李国麟,杨婉仪,曾伟权,刘江,陈安莹,秦煌,陈山聪,吴诺弘,韩马利
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全40集
谢贤,刘松仁,黄仲昆
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已完结
涂凌,张岩,张雪飞
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完结
陈山聪,李施嬅
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HD中字
罗塞莉·桑切斯,埃米里奥·瑞弗拉,内斯特·塞拉诺,冈萨洛·门内德斯,卡拉·吉门内斯
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全25集
暂无
A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas' "Hallelujah the hills" (1962), it's an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics - parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch. A new immigrant, Tzelnik, arrives at the port of Jaffa. He goes to live in the Negev desert where he opens a kiosk in the middle of nowhere. Mizrachi comes along and opens a competing business across the way. The two make a living by selling to each other. As there is nothing there, they decide to create a world out of their imagination. They build a cardboard film set, which slowly takes on real dimensions- the buildings turn to concrete, people come to audition for parts in the "film" (cinema verité style, with Zohar mocking viciously the pretensions of the "actresses") and builders come to build appartment buildings (mocking the glorification of concrete and "heroic" settlement). In one sequence, Arab actors come and ask the filmmakers turn positive to negative, and they're given the role of pioneers who plow the land and sing zionist songs. The imagined world of the filmmakers becomes so real eventually they lose sight of the thin line between fantasy and reality. Along the way there are also many references to other films and genres: the samurai flicks of Kurosawa, westerns, the pop films by Richard lester, the meal scene from Tom Jones and many others. The film was made by a bunch of (very talented) friends Zohar gathered, and they shot it with their own funds, as a “collective flick”, another aspect of it that sets it apart from the rest of the production in the country.