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陈飞宇,张婧仪,赵志伟,曾可妮,崔雨鑫,钱迪迪,姜梓新,马可
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已完结
刘琳,于震,原华,王丽坤,王千源,施京明,高露,淳于珊珊
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HD
李秉宪,崔岷植,金诗云,千虎珍,李浚赫,南宝拉,吴山荷,尹彩英,金甲洙,崔武成,严泰九,尹胜雅,崔镇浩,荷承里,金英善,郑智允,金彩妍
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34集全
郭晋安,林文龙,袁伟豪,周柏豪 ,潘志文,周励淇,杨茜尧,钟嘉欣,林嘉华,胡枫,杨潮凯,汤洛雯,邓佩仪,张达伦,陈自瑶
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已完结
林心如,袁弘,王媛可,于波,宗峰岩,关智斌,王雨,李佳航,茅子俊,热依扎,秦俊杰,戴君竹,洪小铃,孙骁骁,戚薇,马天宇,任泉
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刘雪华,张佩华,金铭,归亚蕾,刘子蔚,马景涛
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完结
尹天照,杨恭如,万绮雯,陈启泰,杜汶泽,吴廷烨,张国权,黄树棠,张文慈,梁碧芝
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古天乐,梁小冰,徐锦江,谭耀文,钱小豪,罗莽,郑则仕,傅明宪,潘志文,张国强
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全44集
成毅,张予曦,韩栋,宣璐,何晟铭,姚奕辰,何中华,习雪,谷雪儿,李俊逸,傅方俊,杨肸子,徐思雨,韩承羽,白澍
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更新至09集
薛家燕,梁荣忠,钟嘉欣,元华,王祖蓝,刘玉翠,李国麟,杨婉仪,曾伟权,刘江,陈安莹,秦煌,陈山聪,吴诺弘,韩马利
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更新至16集
谢贤,刘松仁,黄仲昆
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已完结
涂凌,张岩,张雪飞
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全20集
陈山聪,李施嬅
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HD
罗塞莉·桑切斯,埃米里奥·瑞弗拉,内斯特·塞拉诺,冈萨洛·门内德斯,卡拉·吉门内斯
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全29集
宣萱,苗侨伟,朱咪咪,邓健泓,李天翔,古明华,梁竞徽,黄日华,王浩信,胡定欣,何启南,王君馨,陈珈颖,邵卓尧,岑宝儿,萧徽勇,陈堃,叶凯茵,陈秀珠,赵希洛,林秀怡,周宝霖,温家恒
Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.