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已完结
陈飞宇,张婧仪,赵志伟,曾可妮,崔雨鑫,钱迪迪,姜梓新,马可
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已完结
刘琳,于震,原华,王丽坤,王千源,施京明,高露,淳于珊珊
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HD
李秉宪,崔岷植,金诗云,千虎珍,李浚赫,南宝拉,吴山荷,尹彩英,金甲洙,崔武成,严泰九,尹胜雅,崔镇浩,荷承里,金英善,郑智允,金彩妍
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34集全
郭晋安,林文龙,袁伟豪,周柏豪 ,潘志文,周励淇,杨茜尧,钟嘉欣,林嘉华,胡枫,杨潮凯,汤洛雯,邓佩仪,张达伦,陈自瑶
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已完结
林心如,袁弘,王媛可,于波,宗峰岩,关智斌,王雨,李佳航,茅子俊,热依扎,秦俊杰,戴君竹,洪小铃,孙骁骁,戚薇,马天宇,任泉
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已完结
刘雪华,张佩华,金铭,归亚蕾,刘子蔚,马景涛
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完结
尹天照,杨恭如,万绮雯,陈启泰,杜汶泽,吴廷烨,张国权,黄树棠,张文慈,梁碧芝
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已完结
古天乐,梁小冰,徐锦江,谭耀文,钱小豪,罗莽,郑则仕,傅明宪,潘志文,张国强
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全44集
成毅,张予曦,韩栋,宣璐,何晟铭,姚奕辰,何中华,习雪,谷雪儿,李俊逸,傅方俊,杨肸子,徐思雨,韩承羽,白澍
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更新至09集
薛家燕,梁荣忠,钟嘉欣,元华,王祖蓝,刘玉翠,李国麟,杨婉仪,曾伟权,刘江,陈安莹,秦煌,陈山聪,吴诺弘,韩马利
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更新至16集
谢贤,刘松仁,黄仲昆
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已完结
涂凌,张岩,张雪飞
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全20集
陈山聪,李施嬅
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HD
罗塞莉·桑切斯,埃米里奥·瑞弗拉,内斯特·塞拉诺,冈萨洛·门内德斯,卡拉·吉门内斯
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全29集
宣萱,苗侨伟,朱咪咪,邓健泓,李天翔,古明华,梁竞徽,黄日华,王浩信,胡定欣,何启南,王君馨,陈珈颖,邵卓尧,岑宝儿,萧徽勇,陈堃,叶凯茵,陈秀珠,赵希洛,林秀怡,周宝霖,温家恒
In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.
But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).
In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.
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