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已完结
陈飞宇,张婧仪,赵志伟,曾可妮,崔雨鑫,钱迪迪,姜梓新,马可
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已完结
刘琳,于震,原华,王丽坤,王千源,施京明,高露,淳于珊珊
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HD
李秉宪,崔岷植,金诗云,千虎珍,李浚赫,南宝拉,吴山荷,尹彩英,金甲洙,崔武成,严泰九,尹胜雅,崔镇浩,荷承里,金英善,郑智允,金彩妍
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34集全
郭晋安,林文龙,袁伟豪,周柏豪 ,潘志文,周励淇,杨茜尧,钟嘉欣,林嘉华,胡枫,杨潮凯,汤洛雯,邓佩仪,张达伦,陈自瑶
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已完结
林心如,袁弘,王媛可,于波,宗峰岩,关智斌,王雨,李佳航,茅子俊,热依扎,秦俊杰,戴君竹,洪小铃,孙骁骁,戚薇,马天宇,任泉
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已完结
刘雪华,张佩华,金铭,归亚蕾,刘子蔚,马景涛
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完结
尹天照,杨恭如,万绮雯,陈启泰,杜汶泽,吴廷烨,张国权,黄树棠,张文慈,梁碧芝
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已完结
古天乐,梁小冰,徐锦江,谭耀文,钱小豪,罗莽,郑则仕,傅明宪,潘志文,张国强
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全44集
成毅,张予曦,韩栋,宣璐,何晟铭,姚奕辰,何中华,习雪,谷雪儿,李俊逸,傅方俊,杨肸子,徐思雨,韩承羽,白澍
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更新至09集
薛家燕,梁荣忠,钟嘉欣,元华,王祖蓝,刘玉翠,李国麟,杨婉仪,曾伟权,刘江,陈安莹,秦煌,陈山聪,吴诺弘,韩马利
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更新至16集
谢贤,刘松仁,黄仲昆
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已完结
涂凌,张岩,张雪飞
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全20集
陈山聪,李施嬅
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HD
罗塞莉·桑切斯,埃米里奥·瑞弗拉,内斯特·塞拉诺,冈萨洛·门内德斯,卡拉·吉门内斯
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全29集
宣萱,苗侨伟,朱咪咪,邓健泓,李天翔,古明华,梁竞徽,黄日华,王浩信,胡定欣,何启南,王君馨,陈珈颖,邵卓尧,岑宝儿,萧徽勇,陈堃,叶凯茵,陈秀珠,赵希洛,林秀怡,周宝霖,温家恒
Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye".
It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.
And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).
Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.
And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.