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吉姆·卡明斯,瑞琪·琳德赫姆,罗伯特·福斯特,克洛伊·伊斯特,吉米·塔特罗,凯尔西·爱德华兹,斯凯勒·拜布尔,安妮·斯瓦德,马歇尔·奥尔曼,芭芭拉·温纳里,达斯廷·哈恩,劳拉·库弗,PJ·麦凯布,丽兹·弗兰卡,内维尔·阿尔汉博,黛安·D·比姆,Hannah,Elder,Kevin,Changaris,Will,Madden,Annie,Hamilton,Chase,Palmer,Demetrius,Daniels,Daniel,Fenton,Anderson
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汉恩斯·詹尼可,Doris,Kunstmann,Stefan,Jürgens
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西格妮·韦弗,查尔斯·达顿,查尔斯·丹斯,保罗·麦甘恩,布莱恩·格洛弗,拉尔夫·布朗,丹尼·韦伯,克里斯托弗·约翰·菲尔兹,霍特·麦克卡兰尼,兰斯·亨利克森,克里斯托弗·法里班克
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詹姆斯·卡格尼,弗吉尼亚·梅奥,艾德蒙·奥布莱恩,玛格丽特·威彻利,史蒂夫·柯臣
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Wil Wheaton,Claude Akins,Malcolm Danare,Cooper Huckabee,John Schneider,Amy Wheaton
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马晓伟;陈肖依;史淑桂;郭浩;朱顺良;孟俊;陈小艺;李兰发
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斯戴芬妮·斯考特,丹尼尔·皮尔斯,菲利普·霍夫曼,Matthew Stannah,Sebastian Beacon,伊莎贝拉·弗尔曼,Elijah Rayman,朱迪思·罗伯茨,Stephen Lee Anderson,迈克尔·劳伦斯,卡罗琳·麦柯米克,P.J. Sosko,Tommy Buck,Dawn McGee,沙恩·科费
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马龙·白兰度,伊丽莎白·泰勒,布赖恩·基思,朱丽·哈里斯
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安迪·尼曼,马丁·弗瑞曼,保罗·怀特豪斯,埃里克斯·劳瑟,保罗·沃伦,寇布勒·霍尔德布鲁克-史密斯,尼古拉斯·本恩斯,丹尼尔·希尔,塞缪尔·博顿利,杰克 ·戴维斯,达伦·布朗
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阿尼尔班·巴塔查尔吉,Anirban Chakrabarti,托达·罗伊·乔杜里,戈西克·森,Madhurima Ghosh,Chandrayee Ghosh,Rohit Basfore,Oishani Dey,Shahir Raj
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HD国语
钱小豪,叮当,徐沅澔,洪京京,曾涟漪,元宝
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罗翔
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蔡鹏飞,小叮当
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迈克尔·法斯宾德,布莱丹·格里森,西恩·哈里斯,罗里·金奈尔,琳赛·马歇尔,托尼·威,杰拉德·基恩斯,保罗·布莱克维尔,金斯利·本-阿迪尔,艾伦·威廉姆斯,金斯利·本-阿德,巴里·基奥根
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James Ray,Kevin Tye,Sean G P Anderson,Jeffrey LMonica Engesser,Amelia Haberman amar,Owen Conway
Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.